Link to CV




BIO


Anne Low is based in Montréal, Canada. Her practice includes sculpture, installation, textiles and printmaking to investigate how particular expressive forms are able to unhinge themselves from historical contingency and speak to contemporary subjects such as the domestic, the decorative, utility and taste. Her work speaks to wider narratives around the impulse to individuate object and self and how the impulse to decorate is a desire that extends through history and is expressed onto the planes and surfaces of domestic interiors and objects.

Recent solo exhibitions include Bletting, Franz Kaka, Toronto (2019), Chair for a woman, Contemporary Art Gallery, Vancouver (2019), Paperstainer, Mercer Union, Toronto (2018); A wall as a table with candlestick legs, Tensta Konstall, Stockholm (2018) and Witch with Comb, Artspeak, Vancouver (2017). Recent group exhibitions include Art Encounters Biennial, Timisoara (2019), Sobey Art Award, Art Gallery of Alberta, Edmonton (2019); Soon Enough – Art in Action, Tensta Konsthall, Stockholm (2018); Separation Penetrates, Mercer Union, Toronto (2017); Dream Islands, Nanaimo Art Gallery (2017); Ambivalent Pleasures, Vancouver Art Gallery (2016) and Reading the Line, The Western Front, Vancouver (2015). Her collaboration with Evan Calder Williams, The Fine Line of Deviation, has been exhibited at Mercer Union, Toronto (2018) and Issue Project Room, New York (2016).